THE AMERICAN WEEKLY COVERS OF EDMUND DULAC 1924-1951: 100th ANNIVERSARY EDITION

Much has been written about Edmund Dulac’s mastery of art deco and design since his death in May of 1953. He was born in Toulouse, France in 1882 and was educated as a lawyer, although he rebelled and later studied art at the Ecole des Beaux Arts. He is best known as one of the giants of the ‘Golden Age of Illustration’ along with Arthur Rackham and Kay Nielsen. His beautiful watercolor book illustrations are still in print today, and the original first editions are scarce and highly valued.Dulac emigrated to England from France in 1904 and he was in London at exactly the right time for the invention of color separation photographic reproduction. Prior to the color separation process printers relied on wood blocks or expensive and complicated chromo-lithography to include color illustrations in their books. Most illustrators (Arthur Rackham and W. Heath Robinson, for example) used line drawings to hold the difference in the color changes. Dulac was a watercolorist and this new technique allowed him to paint the colors just as he would normally, without bold lines defining his subjects. He received numerous commissions for the new ‘gift books’ with full color tipped-in plates mounted on heavy art paper. He began an arrangement with both Leicester Galleries and Hodder & Stoughton, the book publishers, to paint watercolors for their illustrated gift book editions which would be sold in the gallery exhibit once a year. He produced fifty oriental style drawings for The Arabian Nights in 1907, forty drawings for an edition of The Tempest in 1908, twenty watercolors, again in his now signature orientalism style, for The Rubaiyat of Omar Khayyam in 1909. Subsequent editions were The Sleeping Beauty and Other Fairy Tales in 1910, Stories from Hans Christian Andersen in 1911, and twenty-eight watercolors with dozens of line illustrations for The Bells and Other Poems byEdgar Allan Poe in 1912.In 1923, “Edmund Dulac, the Distinguished English Artist,”as he was billed on the front covers, was contracted by the Hearst organization to paint watercolors for The American Weekly magazine, the Sunday supplement for the newspapers. The contract lasted nearly 30 years. Dulac painted 106 watercolors from 1924-1951 for thirteen different series for The American Weekly. Although these watercolors were highly praised at the time, their reproduction was only sporadic, with some appearing in The Illustrated London News over the years, and once in a 1936 picture book titled Gods and Mortals in Love.The American Weekly illustrations in this book were photographed from the San Francisco Academy of Comic Art, which was owned and operated by Bill Blackbeard. After Bill’s passing in 2011, the entire collection was moved to The Billy Ireland Cartoon Library & Museum at Ohio State University.This 100th anniversary edition contains all the series with some of his other illustrations. They have been restored as well as possible, as many of the front covers had deteriorated over the years. I have also published these illustrations in more detail in a series of six books, with the original captions. They are available as eBooks and will also be released as print editions.The American Weekly Covers 1924-19511924- Bible Scenes and Heroes1925- Characters From the Arabian Nights1929- Famous Vamps of History1931- Love Stories the Ancients Believed In1932- Enchanting Fairyland Lovers1933- Myths the Ancients Believed1934- Follies that Destroyed Famous Queens1936- Song of Solomon1937- Beauty and the Beast1938- Fighting Women1940- 7 Tales From King Arthur's Court1942- 8 Canterbury Tales1950,51- Tales from The Arabian Nights Read more